Yulia Iosilzon draws on children’s illustration, fashion and theatre to posit fragmentary narratives in large-scale works. Initial readability in her work is thrown into question by the persistent use of techniques which serve to interrupt the image and break down earlier impressions of visual plenitude. Iosilzon’s circular approach to narrative is leavened with her lightness of touch. This is seen primarily through the artist’s own deployment of burlesque, the grotesque, irony and humour in images which use as their starting point everyday scenes.

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